reviews
‘The X-Files: I Want to Believe’ Director’s Cut Subtracts More Than It Adds
Scully and Mulder need to be the center, regardless of the monsters and mayhem around them.
‘Teenage Sex and Death at Camp Miasma’ Is a Metafictional Masterpiece
Watching a Jane Schoenbrun movie is like watching the strangest dream you'll never forget.
‘Spider-Man: Brand New Day’ Jolts Genre by Putting Personality Over Plot
The "set up the next story" elements of the MCU are relatively restrained here, to the film's benefit.
Fantasia Fest Review: ‘The Mouths’ Is One of the Year’s Best Horror Films
Takashi Shimizu's style is still second-to-none in the realm of Japanese horror.
‘Batman: Caped Crusader’ Season 2 Swings Big, Even When It Misses
This Joker is less of a prankster and more of a stern ghost lurking, waiting to make his presence known.
‘The Dink’ Casts Sweetly Schlubby Jake Johnson as Pro turned Pickler
This kind of role is Johnson's bread and butter.
Fantasia Fest Review: ‘Unholy Night’ is a Fun Dose of Holiday Hell
This is Christmas horror done right.
Fantasia Fest Review: ‘Her Private Hell’ Is a Neon-Soaked Dreamscape From NWR
It's also one of the most visually jaw-dropping things I've seen all year.
‘The Odyssey’ Review: Christopher Nolan Finds His Epic Rhythm, With Dazzling Results
We can still learn a lot from Homer.
David Wain’s ‘Gail Daughtry and the Celebrity Sex Pass’ Delivers Jolt of Anti-Reality Comedy
Stupid comedy? That's where it's at.









