Culture
Godzilla, Inc.: When Brand Deals Keep a Monster Relevant — Or Turn Him Into a Mascot
The King of the Monsters is now also the King of Collabs.
BFI London Film Festival 2025: ‘Hamnet’
This is frustratingly bland, jejune storytelling.
Heist Guide: Halloween Candy
There's a right way and a wrong way to dole out trick-or-treat candy. Ethan Kaye snarks his way through 100% awesome advice!
The Mothman Festival: Go! Fly, You Fools!
Your 2026 tourist destination, thanks to a mysterious West Virginia monster.
‘Good Luck, Have Fun, Don’t Die’ Gives Us a Future Worth Fighting for [Fantastic Fest 2025]
In an age when too many sci-fi stories are explained to death, Gore Verbinski's time-travel comedy revels in a deliberate, freewheeling murkiness.
‘Silent Night, Deadly Night’ Review: Yule Be Dying To See It [Fantastic Fest 2025]
A guy driven to kill while wearing a Santa suit is just one of those gifts that keeps on giving.
‘Black Phone 2’ Sticks the Horror Sequel Landing
'Black Phone 2' is why we go to the movies in October.
‘V/H/S/Halloween’ Is a Scary Seasonal Delight [Fantastic Fest 2025]
The vibes may be ghoulish fun, but 'V/H/S/Halloween' has segments that go for the absolute throat.
TIFF ’25: ‘The Smashing Machine’ Finally Shows the Softer Side of Dwayne Johnson
Mark Kerr is no Jake LaMotta.
TIFF ’25: A Sidelined Craig Leaves Blanc Spot in ‘Wake Up Dead Man’
We've entered Benoit Blanc's gothic phase.
