reviews
‘The Mastermind’ Is a Bum-Numbing Pastiche of Better Heist Flicks
There are too many expository questions left unanswered for this slow-burn to find payoff.
‘Queens of the Dead’ Brings Queer Joy to the Zombie Apocalypse
Horror has always been for the weirdos, the outsiders, the ostracized and excluded, which is why horror has also always been queer.
‘Hazbin Hotel’ Returns With One Hell of a Sophomore Season
Now that Hell has learned of Heaven's weakness, some of the most powerful Overlords are interested in accumulating power.
‘It: Welcome to Derry’ Is a Fascinating Mess of a Horror Show
This one may not have the It factor, but it's headed in the right direction.
‘Daybreakers’ Is a Prophetic Piece of Gory Political Commentary — So Why Did Hollywood Do the Brothers Spierig So Dirty?
If you'd like to hear something pretty, 'Daybreakers' isn't your cup of chicken soup for the soul.
BFI London Film Festival 2025: ‘Hamnet’
This is frustratingly bland, jejune storytelling.
Pythona Heralds Glorious New Era for G.I. Joe Classified With Beautiful, Unsettling Figure
"When you were created, my face was etched into your soul ..."
‘Good Boy’ Transcends Its Gimmick To Become Something Special
Indy, an untrained dog actor in his film debut, makes fetch happen.
‘Good Luck, Have Fun, Don’t Die’ Gives Us a Future Worth Fighting for [Fantastic Fest 2025]
In an age when too many sci-fi stories are explained to death, Gore Verbinski's time-travel comedy revels in a deliberate, freewheeling murkiness.
‘Silent Night, Deadly Night’ Review: Yule Be Dying To See It [Fantastic Fest 2025]
A guy driven to kill while wearing a Santa suit is just one of those gifts that keeps on giving.
