reviews
‘Black Phone 2’ Sticks the Horror Sequel Landing
'Black Phone 2' is why we go to the movies in October.
‘V/H/S/Halloween’ Is a Scary Seasonal Delight [Fantastic Fest 2025]
The vibes may be ghoulish fun, but 'V/H/S/Halloween' has segments that go for the absolute throat.
‘The Long Walk’ Review: Carry That Weight
Maybe the real prize was the friends we made along the way. What's that? They're all dead?
‘The Man in My Basement’ Is Big on Ideas, Light on Story
Willem Dafoe shows up at your door, smiling warmly, offering the solution to all your problems if you just let him crash in your cellar for a bit? What could possibly go wrong?
TIFF ’25: ‘The Smashing Machine’ Finally Shows the Softer Side of Dwayne Johnson
Mark Kerr is no Jake LaMotta.
TIFF ’25: A Sidelined Craig Leaves Blanc Spot in ‘Wake Up Dead Man’
We've entered Benoit Blanc's gothic phase.
TIFF ’25: Park Chan-wook’s ‘No Other Choice’ Takes a Swing at the Unemployment Crisis
That's one way to get ahead.
A Superb Jacob Elordi Steers Del Toro’s Devastating ‘Frankenstein’
While dismembered at times, you can't help but swoon at del Toro's humanistic rendition of 'Frankenstein.'
A Rovin’, a Rovin’, a Rovin’ I’ll Go: ‘Rum Sodomy & the Lash’ at 40
It is The Pogues' magnum opus, one of the greatest albums ever made, and it reveals its brilliance right from track one.
‘The Toxic Avenger’ Is a Raucous Middle Finger To Unprecedented Times
Macon Blair takes the social commentary of the original film, awash in corruption and pollution, and dials it up to 11.
