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Star Trek: Strange New Worlds

‘Star Trek: Strange New Worlds’ 3×06 Recap: “The Sehlat Who Ate Its Tail”

Captain Kirk Begins

Kirk and Spock playing 3D chess.
Photos: Paramount

Star Trek: Strange New Worlds Season 3, Episode 6
"The Sehlat Who Ate Its Tail"
Writer: David Reed, Bill Wolkoff
Director: Valerie Weiss
Cast: Anson Mount, Ethan Peck, Jess Bush, Christina Chong, Celia Rose Gooding, Melissa Navia, Babs Olusanmokun, Martin Quinn, Rebecca Romijn


If Strange New Worlds has taught us anything, it's that even the most confident Starfleet officers can find themselves staring into the abyss, wondering if they're truly ready for the chair. "The Sehlat Who Ate Its Tail" shoves James Kirk straight into that abyss, dials the stakes up to eleven, and dares him to prove he belongs in command. What follows is part survival thriller, part character crucible, and part buddy drama that feels like the prologue to one of pop culture's most iconic friendships. At the center, Paul Wesley delivers his sharpest, most layered performance of the season — equal parts swagger, vulnerability, and just enough "I've got this …" to keep us hooked. After last week's overstuffed outing, this is a welcome return to form — action-packed, emotional, and unmistakably Star Trek.

From his very first log entry during a routine planetary survey, Kirk is restless — bored as First Officer aboard the USS Farragut under Captain V'Rel's hyper-cautious command. He's itching for adventure, and when the fabled "destroyer of worlds" appears and cripples the ship, he gets his wish in the worst way possible: shoved into the captain's chair before he's ready. The bravado vanishes, replaced by the crushing realization that command isn't about flexing your muscles — it's about carrying the weight of every decision. His eventual confession to Spock, "I'm frozen," hits harder than a photon torpedo.

The Enterprise races to assist, beaming aboard Spock, Uhura, Scotty, La'an, and Chapel to stabilize the Farragut. But the rescue mission takes a surreal turn when the massive scavenger vessel swallows the Enterprise whole, trapping Pike and his crew inside a ship the size of a small moon. Suddenly, they're fighting their own battle — cut off from Starfleet, low on power, and stalked by phaser-absorbing horrors in the dark.

Enter Pelia and a B-plot that swerves from tense to delightfully absurd. With the high-tech systems down, she digs into her personal stash of "primitive" tools — rotary phones, clunky joysticks straight out of a 1980s arcade — and somehow wires them together into a makeshift control network.

Carol Kane as Pelia in season 3
Photo: Marni GrossmanParamount+

Watching the crew relay commands over an old-school phone line while steering the ship with something that looks suspiciously like an Atari controller is peak Strange New Worlds. However, the comedy never undercuts the drama — this analog wizardry keeps the Enterprise just functional enough to coordinate with Kirk and buy him the minutes he needs to turn the tide.

Meanwhile, aboard the Farragut, Kirk's inexperience is showing. Crew confidence falters and whispers of replacing him spread. Uhura, however, sees the captain he could be and calls in Spock. Their conversation becomes the emotional core of the episode. Spock advises him to trust his instincts — to lean into his humanity instead of trying to suppress it. The Vulcan idiom that gives the episode its title, "the sehlat who ate its tail," becomes a perfect metaphor for Kirk's loop of ambition chasing itself into self-doubt.

With renewed focus, Kirk gathers his team and devises a daring gambit: lure the scavenger into thinking the Farragut has aldentium to plunder, then cripple it by jettisoning the nacelles. Very Kirkian, indeed! Coordinating with the retro-rigged Enterprise, they pull it off. The scavenger stalls, photon torpedoes finish the job, and both ships escape.

But the victory is short-lived. The "enemy" wasn't alien at all, but over 7,000 descendants of a lost 21st-century Earth mission sent to save humanity from disaster. Centuries of desperate survival twisted their purpose into a predatory quest for resources. In destroying the scavenger, Kirk has unknowingly taken human lives. The weight of that truth is crushing.

Pike then delivers the knockout of the hour, addressing him as "Captain Kirk" for the first time and acknowledging the impossible choices command demands. It's a subtle passing of the torch and a reminder that leadership isn't just tactics — it's conscience.

Paul Wesley as Kirk
Photo: Marni GrossmanParamount+

Paul Wesley plays every beat — cocky restlessness, frozen fear, hard-won clarity — with precision. This is the richest material he's been given in the series, and he doesn't hit a false note. He's not merely evoking the Kirk we know; he's making us believe we're watching him being forged in real time. By the end, he's calmer, surer — not yet the legend, but unmistakably on his way.

Thrilling, fun, and deeply human, "The Sehlat Who Ate Its Tail" is a series best that sees Paul Wesley proving he's not just playing Captain Kirk… he is Captain Kirk.

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