Culture
‘V/H/S/Halloween’ Is a Scary Seasonal Delight [Fantastic Fest 2025]
The vibes may be ghoulish fun, but 'V/H/S/Halloween' has segments that go for the absolute throat.
TIFF ’25: ‘The Smashing Machine’ Finally Shows the Softer Side of Dwayne Johnson
Mark Kerr is no Jake LaMotta.
TIFF ’25: A Sidelined Craig Leaves Blanc Spot in ‘Wake Up Dead Man’
We've entered Benoit Blanc's gothic phase.
TIFF ’25: Park Chan-wook’s ‘No Other Choice’ Takes a Swing at the Unemployment Crisis
That's one way to get ahead.
Amanda Seyfried Musical ‘Testament of Ann Lee’ Shakes Out to Beautiful Mess
This testament doesn't know if it wants audiences to idolize, criticize or sympathize with Ann Lee.
A Superb Jacob Elordi Steers Del Toro’s Devastating ‘Frankenstein’
While dismembered at times, you can't help but swoon at del Toro's humanistic rendition of 'Frankenstein.'
‘Bugonia’ Review: Stone and Plemons Are Unstoppable in Lanthimos’ Manic Ecological Thriller
This is Emma Stone's boldest work yet — and not just because she shaved her head for the role.
Pop Heist’s SECOND Gift Guide for War Propaganda Lovers
Pop Heist takes a SECOND look at the posters that got us through the dark days of war. Surprising laughs to follow.
‘Golden Girls’ x Zero Waste Daniel Collab for Timeless Capsule Collection
There is an entire folder in my studio called "too much even for us."
Fantasia Fest Review: ‘The Undertone’ Is an Intimate Chiller
'The Undertone' delivers soundscapes that crawl into your brain like a song you can't forget, and fester there.
